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Léo Caillard’s Change from Marble to Bitcoin
In March 2018, at ‘Classical Now’, Caillard displayed a unique public artwork alongside Marc Quinn and Damien Hirst, notably decorating two large sculptures at King’s College’s North entrance.
The artist’s work, evolving and drawing comparisons to Damien Hirst, Jeff Koons, and Olafur Eliasson, underscores his increasing significance in the art world.
Caillard’s foray from tangible marble artistry into the realm of sculpting within a Bitcoin block now signifies a bold transition.
A Strategic and Innovative Art Auction
In a display of commitment to equity and rewarding the community, the campaign organizers have expressly conveyed that no team reserves or early sales exist.
Participants must deposit 10% of their bid as collateral for the auction. The auction features ‘Satoshi Mode’, enabling unlimited bids with a one-time 1 BTC collateral.
It also has ‘Hot Zone Rules’, extending the auction if bids are placed in the final five minutes, ensuring fair competition.
The highest bidder must settle promptly within four hours after the auction, and refunds are processed for others post-event.
Notably, Bitcoin exclusively supports Various Bitcoin wallets, from Ordinal Client to UniSat extension. Assistance is provided for users new to the Lightning Network.
As the Runestone auction nears its end, anticipation builds for the forthcoming airdrop, marking a pivotal moment in digital art and blockchain innovation.
Read More: Bid Frenzy for Elite Runestone Inscription Among Bitcoin Fans
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